mvworks:news

Prisoners of Structure
Deborah Jowitt, The Village Voice, March 15, 2007

"...eruptions of movement burn themselves into your brain—the residue of lives you can't quite grasp but which you suspect might be your own."
Read the Review

Sprenger's Triangle
Jack Anderson, New York Theatre Wire, February 24, 2007

"Seldom in my recent dance-going have I experienced such an intense sense of kinesthetic transfer..."
Read the Review

A Triangle Most Irregular
Claudia LaRocco, The New York Times, February 24, 2007

"What does make the work stand out, so to speak, is its stubborn insistence on starting no where, and staying there."
Read the Review

Math as Dance
Marilyn Russo, Attitude, The Dancers' Magazine, Vol. 21, No. 1 Spring 2007

"There is something antagonistic about her that's irritating. The other two are struggling and they draw us, ever so slowly, towards their dilemma. The sound of car starting seems perfectly natural. Ruszkowski walks off, finally ablle to solve this pictorial equation. Maybe that irritating quality kept her sane."
Read the Review

The Week Ahead: Feb. 18 - 24
Claudia LaRocco, The New York Times, February 18, 2007

The link between music and dance is well known, as is that between music and mathematics. There must be a connection between math and dance, right?

Emotional Mathematics
Brian McCormick, Gay City News, February 16, 2007

How would a woman from one of Gregory Crewdson's photographs move? In "No Where," Megan V. Sprenger gives life to the expressive, psychological ideas and characters in Crewdson's meticulously staged cinematic images, who appear frozen, as if seized by unseen forces.
Read the Article

Goings on About Town
New Yorker, Feb 12 - 19, 2007

MEGAN V. SPRENGER / MVWORKS
P.S. 122’s new commissioning program, Room, was created to encourage collaboration with experts
in disciplines outside the performing arts. “No Where,” Sprenger’s first evening-length work...
Read the Listing

New Lords of the (Downtown) Dance
Gia Kourlas, The New York Times, Sunday, January 28, 2007

Partly in response, Mr. Gantner instituted Room, a commissioning program to encourage artists to
collaborate with experts outside their disciplines. Next month Megan V. Sprenger works with Sara
Grundel, a mathematician, in “No Where.”
Read the Article

No Where on Culturebot
Sarah Maxfield, 5 Questions for Megan V. Sprenger

"Watching trained dancers leave their technique behind and try to move from a human place is fascinating"
Read the interview

Read the No Where Press Release


mvworks:news




Prisoners of Structure Deborah Jowitt, The Village Voice, March 15, 2007 "...eruptions of movement burn themselves into your brain—the residue of lives you can't quite grasp but which you suspect might be your own." Read the Review Sprenger's Triangle Jack Anderson, New York Theatre Wire, February 24, 2007 "Seldom in my recent dance-going have I experienced such an intense sense of kinesthetic transfer..." Read the Review A Triangle Most Irregular Claudia LaRocco, The New York Times, February 24, 2007 "What does make the work stand out, so to speak, is its stubborn insistence on starting no where, and staying there." Read the Review Math as Dance Marilyn Russo, Attitude, The Dancers' Magazine, Vol. 21, No. 1 Spring 2007 "There is something antagonistic about her that's irritating. The other two are struggling and they draw us, ever so slowly, towards their dilemma. The sound of car starting seems perfectly natural. Ruszkowski walks off, finally ablle to solve this pictorial equation. Maybe that irritating quality kept her sane." Read the Review The Week Ahead: Feb. 18 - 24 Claudia LaRocco, The New York Times, February 18, 2007 The link between music and dance is well known, as is that between music and mathematics. There must be a connection between math and dance, right? Emotional Mathematics Brian McCormick, Gay City News, February 16, 2007 How would a woman from one of Gregory Crewdson's photographs move? In "No Where," Megan V. Sprenger gives life to the expressive, psychological ideas and characters in Crewdson's meticulously staged cinematic images, who appear frozen, as if seized by unseen forces. Read the Article Goings on About Town New Yorker, Feb 12 - 19, 2007 MEGAN V. SPRENGER / MVWORKS P.S. 122’s new commissioning program, Room, was created to encourage collaboration with experts in disciplines outside the performing arts. “No Where,” Sprenger’s first evening-length work... Read the Listing New Lords of the (Downtown) Dance Gia Kourlas, The New York Times, Sunday, January 28, 2007 Partly in response, Mr. Gantner instituted Room, a commissioning program to encourage artists to collaborate with experts outside their disciplines. Next month Megan V. Sprenger works with Sara Grundel, a mathematician, in “No Where.” Read the Article No Where on Culturebot Sarah Maxfield, 5 Questions for Megan V. Sprenger "Watching trained dancers leave their technique behind and try to move from a human place is fascinating" Read the interview Read the No Where Press Release



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